Tilda Swinton’s role last year in Doctor Strange as the Ancient One, a character generally depicted in the comics as an Asian man. The practice has continued, which brings us to more recent examples: Emma Stone as a half-Asian character in Cameron Crowe’s Aloha in 2015. These are just a handful of entries on a long list. In the 1950s, John Wayne played Genghis Khan and Marlon Brando played a Japanese interpreter. In 1944, the shape of Katharine Hepburn’s eyes was altered with makeup when she played a Chinese character named Jade in Dragon Seed. In the 1930s, the Swedish-American actor Warner Oland played a Chinese detective named Charlie Chan in 16 films.
Though the issue has had increasing visibility in recent years thanks in part to outspoken celebrities and viral Twitter campaigns, the whitewashing of Asian roles has a very long history. How does the uproar fit into the broader conversation about whitewashing in Hollywood? Absolutely no visual effects tests were conducted on Scarlett’s character and we have no future plans to do so.” Paramount responded to the report, saying that “A test was done related to a specific scene for a background actor which was ultimately discarded. Critics, led by celebrities like Constance Wu, pointed out not only did not correct, but arguably exacerbated, the central problem. The day after the photo was released, Screencrush published a report that Paramount and Dreamworks had tested out post-production visual effects that would have made Johansson appear more Asian in the film.
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So why would the American remake star a white actress?” In April 2016, the first photo of Johansson in the movie (in which she is called simply “Major”) reignited anger about her casting. Soon after Johansson’s casting was confirmed in January 2015, fans launched a petition for the role to be recast: “The original film is set in Japan, and the major cast members are Japanese.
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And while the manga has spawned a second animated film, TV series and a handful of video games, it’s never been rendered as a live-action film. The original movie adaptation, a Japanese animated film released in 1995, has a big following, including directors Lana and Lilly Wachowski, who the New York Timesreports brought a copy along when they pitched The Matrix. The “ghost” in the title refers to human consciousness, and the “shell” is the cybernetic body.Īs for a modern retelling, the themes of the story-questions about what defines humanity as artificial intelligence grows increasingly prominent-continue to fascinate moviegoers (see: Ex Machina, Westworld, Black Mirror, Blade Runner 2049). Having a cyberbrain has advantages (like connecting to various networks) and disadvantages (like the ability to be hacked). In this futuristic world, some people have cyberbrains, others have prosthetic bodies, and still others-like Motoko Kusanagi-have both. It takes place in a fictional city in mid-21st century Japan and tells the story of a group of special operatives, Public Security Section 9, who fight terrorism, corruption and cybercrime. Ghost in the Shell originated as a Japanese manga series written and illustrated by Masamune Shirow beginning in 1989. What is Ghost in the Shell and why are they remaking it? Here’s a primer on the the franchise, the controversy surrounding its release and how it fits into larger conversations about cultural representation in Hollywood.
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